Photo by Colin McLaughlin [I] admit it. Even after many years of music writing, I still have no sense of whether or not an album, or single, or artist’s commercial products are good or bad. Take producer/artist Flying Lotus. Those fish-slap beats, clunky bits of proto-industrial noise, and psych-jazz electronic intrusions…surely those are too much for the general populace? Right? Yet, there Until The Quiet Comes is, squeezing into the top 50 of the Billboard charts; there he is collaborating with Thom Yorke and Hodgy Beats, and there he was on Friday night packing Portland’s Roseland Theater with able bodies thrilled to…
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