Little Children
[S]wedish songwriter Linus Lutti goes by the alias Little Children and has been in the Scandanvian spotlight since 2010, when he released his debut album In Silence. Lutti’s ethereal sound has garnered him vast praise and his musical composition has been compared to the likes of Mark Kozeleck
Ivan & Alyosha
[I]t seems as though there is boundless amounts of talent coming out of Seattle, and Ivan & Alyosha is one of those bands that exudes that statement. The duo who borrows their name from Dostoyevsky’s The Brothers Karamazov, are getting close to releasing their debut full-length album, All
Goodnight Texas
[A] few months back I had the pleasure of meeting Vinocur & Wolf as part of an east coast tour, a chance to see just how fantastic this band is, how well their music lends itself to a small barn show in a random neighborhood in Boston; how it feels
The Cave Singers
[youtube]http://www.youtube.com/watch?v=YwQilKbK9Mk[/youtube] [C]heck out a new track from The Cave Singers, which will appear on their upcoming record, Naomi on 3/5/13 on Jagjaguwar. Naomi, could prove to be an excellent effort seeing as acclaimed producer Phil Ek (Fleet Foxes, Built
Kenneth Aaron Harris
[W]hen the Films (the coolest band of all-time, for the uninitiated) broke up, Mike was already back in Charleston with his soulmate, Cary Ann Hearst, working on what would become Shovels & Rope (not to mention a couple solo records). Jake took up residence at Butch Walker’s studio
Frontier Ruckus
[bandcamp album=2123165442 bgcol=FFFFFF linkcol=4285BB size=grande] [F]rontier Ruckus has a folk style altogether different from most any band. A straightforward, approachable feel, punctuated with whipsmart lyrics that seem to roll off frontman’s Matthew Milia’s tongue but what differentiates them is the delivery of the
Carter Behnke
Carter Behnke – Lighthouse [Q]uiet and reserved sounds from this track from Montreal based Carter Behnke, recorded in friend, Taylor Cooney’s basement, the tenderly strummed track “Lighthouse,” transports the listener to a place a lot further away from where they are. Subtle vocal tracks give it an ethereal sort
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Photos by Colin McLaughlin [M]ost bands give you a waiting period before they blow up. Time to fall in love before you start to feel like you’ve been slighted by the mainstream for stealing “your band.” Time to walk around with their words in your headphones before you
You might recognize Cody ChesnuTT from his cameo on the Roots’ hit The Seed 2.0. Or if you’re really down, you might remember a sweet little jam from ten years ago called Look Good In Leather. Well, Cody finally got around to releasing a follow up to the
Can I gush for a minute? If Matt Mays brings one thing to the table, it’s a hard groove, & Indio’s got as a deep a pocket as anything he’s released. It’s just locked in so hard… those bongos underneath the middle 8 are fucking relentless.
[R]ivertown is a murder ballad of epic proportions. It’s about loyalty & heritage, indignation, revenge, redemption, self-destruction & pine trees… everything that real Southern American music should cover. It’s the kind of song that makes you well up. Radiolucent checks off church harmonies, slide guitar, & b3
[T]he Death On Two Wheels’ Burn Loretta is fully realized southern gothic rock & roll badassery. It’s epic. It’s flawlessly arranged. And if you crank it up loud enough, it will literally come through the speakers and kick you in the ass. There’s a hang man,